Titlebook: Global Melodrama; Nation, Body, and Hi Carla Marcantonio Book 2015 Carla Marcantonio 2015 body.corpus.drama.film.globalization.history.hist

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Biopolitical Embodiments: , and , films overflow with the knowledge that life is to be found in its imitation. As many critics of the director’s work have noted, and Almodóvar himself has often acknowledged, he inherits his characteristic penchant for a subversive style of melodrama from directors such as Sirk, R. W. Fassbinder, an

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Costume Changes, Overlapping Histories: , and ,travel at great speeds and be amply reproducible, the asynchronous character of memory has become an enduring object of fascination. Digital mediums further boast the capacity to manufacture an image of the world without ever having to come into contact with that world, be it objects, landscapes, or

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Border-Crossing the Global Imaginary: , and ,sometimes sad—which either find or shun our common ground. Yet, melodramas about love across borders call attention to the norms and restrictions to which we ascribe and by which we are bound because, while such narratives repudiate the arbitrary nature of boundaries, they inescapably depend on them

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