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Titlebook: Global Iconoclasm: Contesting “Official” Mnemonic Landscapes; Michael Ripmeester,Matthew W. Rofe Book 2024 The Editor(s) (if applicable) a

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发表于 2025-3-21 16:54:36 | 显示全部楼层 |阅读模式
书目名称Global Iconoclasm: Contesting “Official” Mnemonic Landscapes
编辑Michael Ripmeester,Matthew W. Rofe
视频video
概述Represents a transdisciplinary view of collective memory in the field of landscapes.The dynamics of landscape contestation and its political implications.With nternational and interdisciplinary contri
丛书名称RaumFragen: Stadt – Region – Landschaft
图书封面Titlebook: Global Iconoclasm: Contesting “Official” Mnemonic Landscapes;  Michael Ripmeester,Matthew W. Rofe Book 2024 The Editor(s) (if applicable) a
描述Geographers – and others – have been long aware that landscapes are neither natural or neutral. This is particularly true of landscapes of memory. Powerful groups inscribe such landscapes with both a preferred vision of the past and with sets of idealized societal values, and morays. Yet, and despite the authoritative weight such landscapes carry, they can be challenged. Even before the monument topplings of 2020, groups across the globe were challenging official memory discourses. This volume offers case studies of what might be considered global iconoclasm. Drawing upon original international case studies, this monograph critically engages with and reveals the dynamics of landscape contestation. From the Tsunami Museum of Banda Aceh to the echoes of Mussolini’s Fascist Italy by way of the decolonization of sites in Australia, New Zealand, Colombia and Africa the processes of landscape contestation are innovatively teased out by established and newly emerging scholars. This book should be of interest to any scholar interested in the politics of mnemonic landscapes..
出版日期Book 2024
关键词Landscape; Contestation; Mnemonic; Monuments; Postcolonialism; Iconoclasm
版次1
doihttps://doi.org/10.1007/978-3-658-43691-9
isbn_softcover978-3-658-43690-2
isbn_ebook978-3-658-43691-9Series ISSN 2625-6991 Series E-ISSN 2625-7009
issn_series 2625-6991
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Fachmedien Wies
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Fires and Insect Pest Management,nterviews and observations at the Tsunami Museum, the chapter argues that the museum has emerged as a new symbol representing Banda Aceh as a disaster area. However, this museum is selective in its representation, forgetting other key defining aspects of Banda Ache’s history, particularly memories o
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The Three Paradoxes of Innovation Security,eum tours, the fact that a work of art was above all a material, perishable fact was seemingly overshadowed. Indeed, the entire cultural system was undergoing a sort of generalized theft of its material concreteness. Simultaneously, the Black Lives Matter protests, as represented by decapitated stat
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Is Work Being De-standardised?,nscape. Memorials can be open-ended and allow for multiple interpretations of both their forms and symbolic content. This research will be focused on the transformation of Sarajevo’s post-war urbanscape, that resulted from the war in Bosnia and Herzegovina (1992–1996) and influenced the redefinition
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https://doi.org/10.1007/978-3-663-15918-6rines is a small city in central Ontario. A monument—dedicated to a local man who died while serving with serving with the Canadian Army during the Northwest Resistance of 1885—stands in front of City Hall. The conflict began when Métis and First Nations communities of unceded prairie lands defended
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