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Titlebook: Gilbert And Sullivan; Charles Hayter Textbook 1987Latest edition Macmillan Publishers Limited 1987 music

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发表于 2025-3-21 19:21:18 | 显示全部楼层 |阅读模式
书目名称Gilbert And Sullivan
编辑Charles Hayter
视频video
丛书名称Modern Dramatists
图书封面Titlebook: Gilbert And Sullivan;  Charles Hayter Textbook 1987Latest edition Macmillan Publishers Limited 1987 music
出版日期Textbook 1987Latest edition
关键词music
版次1
doihttps://doi.org/10.1007/978-1-349-18716-4
copyrightMacmillan Publishers Limited 1987
The information of publication is updating

书目名称Gilbert And Sullivan影响因子(影响力)




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书目名称Gilbert And Sullivan网络公开度




书目名称Gilbert And Sullivan网络公开度学科排名




书目名称Gilbert And Sullivan被引频次




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书目名称Gilbert And Sullivan年度引用




书目名称Gilbert And Sullivan年度引用学科排名




书目名称Gilbert And Sullivan读者反馈




书目名称Gilbert And Sullivan读者反馈学科排名




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发表于 2025-3-21 20:58:29 | 显示全部楼层
https://doi.org/10.1007/978-3-663-15930-8ss was that of . on Broadway in a production unfaithful to Sullivan’s musical style but strictly faithful to Gilbert’s story and words. The Stratford (Ontario) Shakespearean Festival presented its production of . at the reopening of the Old Vic in London, and its choreographic style showed a new approach to movement in the operas.
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,The Masterpiece: ‘The Mikado’,gdom and a German principality. This shift in setting coincides with a decrease in social satire. The first six operas satirise various aspects of Victorian life, but in the later operas satire is diluted by increasing emphasis on music, comic characterisation and spectacle.
发表于 2025-3-22 14:36:20 | 显示全部楼层
Verfahren zur Ermittelung der ,, ,-Bilder,a two-act comic opera titled . for the Reeds, and . was the first of several successful pieces Gilbert was to write for the Gallery of Illustration. Although Gilbert and Sullivan never produced a joint work for them, the Reeds have rightfully been called ‘the godparents of the Savoy Operas’.
发表于 2025-3-22 19:51:35 | 显示全部楼层
Stefan Ufer,Aiso Heinze,Frank Lipowskynd new courses of action planned with musical passages which comment on the action is very similar to the alteration of dialogue and choral passages in Greek comedy and tragedy. This similarity undoubtedly has its roots in Gilbert’s classical education.
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