Titlebook: Ghost Writing in Contemporary American Fiction; David Coughlan Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 American Lit

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7. Haunted Homes: Toni Morrison,community founded on the basis of an apparent covenant with God to the idea of the house, or, more specifically, from the idea of a spiritual paradise to a haunted home. As . returns as spectral “Paradise,” the chapter concludes by examining the ways in which Morrison’s novels themselves become haunted homes accommodating her ghost writing.

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re has chapters on Paul Auster,Don DeLillo, Toni Morrison, Marilynne Robinson, and Philip Roth alternatingwith shorter sections detailing the significance of the ghost in thephilosophy of Jacques Derrida, particularly within the context of his 1993text, .Specters of Marx.. Together, these accounts o

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Karen S. Rook,Tonya L. Schuster past and future is understood in terms of the . (the step or pace that is also no pace) that Derrida tracks through the work of Maurice Blanchot and that, Coughlan argues, finds its way into the novels of Paul Auster also. The self in Auster’s writing, he concludes, cannot be thought without the step not toward the other.

Credence

neighborhoods or haunts. Finding himself diverted by a personal matter and unable to complete Quinn’s story, Coughlan reads his situation in terms of Jacques Derrida’s account of the acolyte, whose following is always interrupted, which means that any following, or any relation between self and other, is a relation of faithfulness and betrayal.

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