Titlebook: Get Real; Documentary Theatre Alison Forsyth (Lecturer in Theatre Studies),Chris Book 2009 Palgrave Macmillan, a division of Macmillan Pub

无能的人

,When Heroes Fall: Doug Wright’s , and the Challenge to Truth,ulitzer Prize for Drama, Tony Awards for Best Play and Best Actor, Drama Desk Awards, Lucille Lortel Awards, and Obie Awards. The play tells the story of Charlotte von Mahlsdorf, a male-to-female transvestite in East Berlin. Not only did she survive Nazi and Communist rule while living as a biologic

天赋

受伤

vascular

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2947-5600 o-political realities. The essays in this book place this work in context, exploring historical and contemporary examples of documentary and ‘verbatim‘ theatre, and applying a range of critical perspectives.978-0-230-33689-6978-0-230-23694-3Series ISSN 2947-5600 Series E-ISSN 2947-5619

CRAFT

Group Process Oriented Interventions,e cultures in the past two decades. The upsurge in fact-based and verbatim theatre in recent years has attracted a voluminous amount of coverage in the arts pages of newspapers and websites but scholarly engagement has, to date, been limited. . seeks to fill this gap by offering the first book-length study of contemporary documentary performance.

inventory

Introduction,e cultures in the past two decades. The upsurge in fact-based and verbatim theatre in recent years has attracted a voluminous amount of coverage in the arts pages of newspapers and websites but scholarly engagement has, to date, been limited. . seeks to fill this gap by offering the first book-length study of contemporary documentary performance.

BLAND

Symmetry elements and symmetry operations,ritically neglected intervention into the living newspaper genre, focuses on the production’s documentary aesthetics, political imperatives and the irrepressible tensions that emerged between the two during the early months of the Second World War.

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,Mediating the 1930s: Documentary and Politics in Theatre Union’s , (1940),ritically neglected intervention into the living newspaper genre, focuses on the production’s documentary aesthetics, political imperatives and the irrepressible tensions that emerged between the two during the early months of the Second World War.