Titlebook: German-Language Nature Writing from Eighteenth Century to the Present; Controversies, Posit Gabriele Dürbeck,Christine Kanz Book 2024 The E

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From Both Sides Now: Nature Writing at Literary Festivals,ent this happens within a wider publishing system. In recent years, several festivals in the German-speaking world have featured events on nature writing. This seems to be symptomatic of a new visibility of nature writing within the book market. Nature writing’s genre-bending blend of artistic and s

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,Das Zwitschern der Vögel im: (nichtnationalen) Wald,ons have been the subject of (Anglo-American) nature writing for about a hundred and fifty years. But what could “nature writing” mean applied to German literature, and how can the term be adapted to writing the Anthropocene? This chapter examines exemplary concepts of nature from medieval German ep

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,Nature Writing in Transcendental Perspective: Friedrich Hölderlin and Henry David Thoreau,t had largely been associated with the term “understanding” in Kantian philosophy for natural phenomena, for example, as water; to a receptive orientation with respect to humans and nature as well as the overlapping of this polarization by a concept of processuality; and, finally, to a discussion of

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Humboldtian Writing for the Anthropocene,dition originating in Europe and the United States delineated particular environments in romantic and nostalgic terms, denoting a position of privilege both in terms of its authors and settings described. In the Anthropocene, when the concept of “nature” as a whole has become increasingly tenuous, c

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