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Titlebook: George Eliot’s Originals and Contemporaries; Essays in Victorian Gordon S. Haight,Hugh Witemeyer Book 1992 Mary N. Haight 1992 Charles Dic

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书目名称George Eliot’s Originals and Contemporaries
副标题Essays in Victorian
编辑Gordon S. Haight,Hugh Witemeyer
视频video
图书封面Titlebook: George Eliot’s Originals and Contemporaries; Essays in Victorian  Gordon S. Haight,Hugh Witemeyer Book 1992 Mary N. Haight 1992 Charles Dic
描述Gathers 14 of Gordon S. Haight‘s essays on the life and work of Victorian authors and artists, among them George Eliot, George Henry Lewes, Thomas Carlyle, Charles Dickens, George Meredith, Lord Tennyson, Robert Browning, and G.F. Watts.
出版日期Book 1992
关键词Charles Dickens; essay; George Eliot; history of literature; Victorian era
版次1
doihttps://doi.org/10.1007/978-1-349-12650-7
isbn_softcover978-1-349-12652-1
isbn_ebook978-1-349-12650-7
copyrightMary N. Haight 1992
The information of publication is updating

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The Heroine of the standard reference works today and has held the title from the beginning. Henry James, reviewing the book in 1873, regretted that she was forced to share the story with Rosamond Vincy and Mary Garth. ‘Dorothea was altogether too superb a heroine to be wasted; yet she plays a narrower part than
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George Eliot’s Klesmerr, he performs several important functions in the novel. Like Daniel he acts as mentor to both Gwendolen and Mirah, his opinions of their singing placing them in a strong contrast maintained throughout the story. His brutal dismissal of Gwendolen’s dream of earning her living as a singer or actress
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Dickens and Lewes on Spontaneous Combustionfor the scene from Krook’s first appearance with his fierce cat Lady Jane in the rag and bottle warehouse by the wall of Lincoln’s Inn. ‘He was short, cadaverous, and withered; with his head sunk sideways between his shoulders, and the breath issuing in visible smoke from his mouth, as if he were on
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George Meredith and the eticence. Though he must have earned a living somehow, his . (1851), . (1856) and . (1857) could hardly have supported him. Late in life, when John Lane asked whether he had been ‘responsible for any anonymous or pseudonymous volume or contributions to periodical literature’, Meredith replied: ‘Noth
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