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Titlebook: George Eliot, Music and Victorian Culture; Delia Sousa Correa Book 2003 Delia da Sousa Correa 2003 George Eliot.realism.Romanticism.Victor

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https://doi.org/10.1057/9780230598010George Eliot; realism; Romanticism; Victorian era; British and Irish Literature
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https://doi.org/10.1007/978-3-319-65503-1l and personal vocation, including the most extensive exploration of female creativity in her fiction. It links these with her invocations of uncanny sympathetic communication and with her unprecedented expansion of the boundaries of realism. We already see this in ., where musical allusion dramatis
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Emotionen - Entwicklung und RegulationJubal … watched the hammer, till his eyes, No longer following its fall or rise, Seemed glad with something that they could not see, But only listened to — some melody, Wherein dumb longings inward speech had found, Won from the common store of struggling sound..
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Valentina Marinescu,Ecaterina BalicaA yearning for some hidden soul of things, Some outward touch complete on inner springs.
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Emotions and the Society of Mind,We know there are a thousand tremors in the air which beat upon our ears unheard..
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,Introduction: ‘Concords and Discords, Cadences and Cries’,Jubal … watched the hammer, till his eyes, No longer following its fall or rise, Seemed glad with something that they could not see, But only listened to — some melody, Wherein dumb longings inward speech had found, Won from the common store of struggling sound..
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,: ‘A Mind Susceptible to Music’,A yearning for some hidden soul of things, Some outward touch complete on inner springs.
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