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Titlebook: George Eliot; Interdisciplinary Es Jean Arnold,Lila Marz Harper Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Natural Hist

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发表于 2025-3-21 17:55:42 | 显示全部楼层 |阅读模式
书目名称George Eliot
副标题Interdisciplinary Es
编辑Jean Arnold,Lila Marz Harper
视频video
概述Transdisciplinary approach opens up fresh perspectives and avenues of enquiry into Eliot‘s work.Features essays by scholars with established records in Eliot studies, in addition to new scholarship by
图书封面Titlebook: George Eliot; Interdisciplinary Es Jean Arnold,Lila Marz Harper Book 2019 The Editor(s) (if applicable) and The Author(s) 2019 Natural Hist
描述.This collection brings together new articles by leading scholars who reappraise George Eliot in her bicentenary year as an interdisciplinary thinker and writer for our times. Here, researchers, students, teachers and the general public gain access to new perspectives on Eliot’s vast interests and knowledge, informed by the nineteenth-century British culture in which she lived.  Examining Eliot’s wide-ranging engagement with Victorian historical research, periodicals, poetry, mythology, natural history, realism, the body, gender relations, and animal studies, these essays construct an exciting new interdisciplinary agenda for future Eliot studies. .
出版日期Book 2019
关键词Natural History; Egyptian Mythology; Social Reform; Felix Holt; French Revolution; Biological Theory; Libe
版次1
doihttps://doi.org/10.1007/978-3-030-10626-3
isbn_ebook978-3-030-10626-3
copyrightThe Editor(s) (if applicable) and The Author(s) 2019
The information of publication is updating

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发表于 2025-3-21 21:57:59 | 显示全部楼层
“A Thousand Tit-Bits”: George Eliot and the New Journalismmass-market periodicals and book collections. It investigates the publishing format of Alexander Main’s . (1872), and . (1878), demonstrating how they represent Eliot and Lewes’s engagement with the popular literary marketplace. These literary experiments to some degree anticipated the excerpting pr
发表于 2025-3-22 03:16:35 | 显示全部楼层
George Eliot’s Literary Legacy: Poetic Perception and Self-Fashioning in the 1870sction of poems, . (1874). Understanding Eliot as a self-fashioned poetess who ultimately sought literary eminence through poetry in her career will offer greater insight into the sensibility of one of the nineteenth-century’s greatest writers. Eliot turned to poetry because the cultural prestige of
发表于 2025-3-22 08:38:58 | 显示全部楼层
George Eliot as “Worthy Scholar”: Note Taking and the Composition of fifteenth and sixteenth centuries, as well as those by later French, German and English authors. Extracting passages that interested her, she abridged, sometimes transcribing in Italian interspersed with English, and storing her notes under headings in her notebooks or “quarries” and she compiled l
发表于 2025-3-22 10:26:12 | 显示全部楼层
发表于 2025-3-22 16:43:15 | 显示全部楼层
Organic Realism in wes’s findings that “the processes of the nervous system both affect and are affected by human thought and action” (., II, 459). The idea of a non-rational, atomistic basis for human behavior can explain narrative endings of some main characters in the novel, as they make ad hoc decisions based on t
发表于 2025-3-22 17:38:25 | 显示全部楼层
“These Things Are a Parable”: Natural History Metaphors and Audience in , (1866)0s discussions of evolution and taxonomy. In this essay, research in science history and Eliot studies leads to evidence of how, in . (1866), Eliot was influenced by evolutionary scientists, particularly Darwin and Huxley, in her fictional examination of how individuals struggle within a small isola
发表于 2025-3-23 00:52:15 | 显示全部楼层
Handling George Eliot’s Fictionnusual fascination with hands. It begins by mapping the terrain in which material and cultural developments—mainly the rise of industrialization and the emergence of new evolutionary theories—caused the hand to become a particularly rich site of representation for Victorian fiction writers. The Vict
发表于 2025-3-23 04:30:46 | 显示全部楼层
“It Was All over with Wildfire”: Horse Accidents in George Eliot’s Fictionre, showing how Eliot transmuted this reality into formal conventions that marked turning points in her narratives. On a trip to Italy in 1861, Eliot’s horse falls on the edge of a precipice. She is unhurt, but Lewes, who sees her fall, feels “very sick and faint from the shock” (Lewes Journals). Wh
发表于 2025-3-23 08:40:38 | 显示全部楼层
The Functions of Dogs in George Eliot’s Fictiont’s narratives and can provide mocking commentary on pretentious owners (Karen B. Mann). Focusing on the ways in which dogs and dog imagery operate to influence reader response, and on dogs’ roles as narrative agents, this study ranges from Jet, the cosseted but loyal spaniel in . to the unfortunate
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