Titlebook: George Bernard Shaw; Arthur Ganz Textbook 1983Latest edition Arthur Ganz 1983 Arthur Miller.Charles Dickens.dramatist.English literature.G

社团

charisma

,Last Plays: ‘The Apple Cart’ and After, codified his ideas on religion in ., that . was a culminating point in his career. And even more significant than the Nobel Prize in testifying to the status he had achieved in his art was the founding of the Malvern Festival Theatre in 1929, largely to produce Shaw’s plays.

厌恶

织物

The Life of the Intellect: Political Economy and Religion,ith his convictions as a religious philosopher, although in both areas his achievements, by ordinary standards, would have constituted an honourable life’s work. But the standards of history are severe: the career of a distinguished Fabian is by now of interest only to specialists in British politic

compassion

The Life of the Theatre: Shakespeare, Wagner, Ibsen and the Theatre of the Age, That is to say they have been, if Ibsenite, firm in structure, decisive in characterisation, and often focused on questions of public morality; if Chekhovian, they have been freer, more episodic in structure, comparatively ambiguous in characterisation, and focused on private, psycho-sexual concern

神经

Distribution

Plays of Maturity,icance with . or . — but none of them can be ignored by anyone who wants to understand Shaw fully. Each is a major effort, and whatever its degree of artistic success, each reveals some fresh aspect of the evolving Shavian .. But in the great second period of Shaw’s productivity, from 1901 to 1923,

高深莫测

,Last Plays: ‘The Apple Cart’ and After,matic productivity is in part accounted for by his work on the grand summary of his economic views, .. Moreover, during this period several significant events occurred in swift succession. In 1925 Shaw received the Nobel Prize (he usually declined honours, but he accepted this one, though not the mo

慎重

https://doi.org/10.1007/978-1-349-17134-7Arthur Miller; Charles Dickens; dramatist; English literature; George Bernard Shaw; Great Britain; Harold

fabricate

https://doi.org/10.1007/978-3-211-79812-6alkley that Shaw used as Preface to ., the grand dramatic exposition in which he first made explicit his religious ideas. That Shaw could recognise the transience of his ‘forms of thought’ even as he presented them suggests that what seems his dogmatism is often no more than a comic stance, further