Titlebook: Geometrical Objects; Architecture and the Anthony Gerbino Book 2014 Springer International Publishing Switzerland 2014 Antonio da Sangallo

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James “Athenian” Stuart and the Geometry of Setting Outut in the first place, since some dimensions are effectively concealed by the fabric of the building itself. Further still, methods appropriate for drawing on the smooth surface of a drawing board may be quite different from those appropriate for the staking out of the plan in the field or the marki

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1385-0180 r’s studio, the stone-yard, the drawing floor, and construction site not merely as places where the architectural object takes shape, but where mathematical knowledge itself is deployed, exchanged, and amplified among various participants in the building process..978-3-319-35923-6978-3-319-05998-3Series ISSN 1385-0180 Series E-ISSN 2215-0064

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https://doi.org/10.1007/978-3-319-05998-3Antonio da Sangallo the Younger; Architecture and Mathematics in Early Modern Religious Orders; Baldas

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978-3-319-35923-6Springer International Publishing Switzerland 2014

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Geometrical Objects978-3-319-05998-3Series ISSN 1385-0180 Series E-ISSN 2215-0064

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Introduction,plinary approach, which unites scholarship in early modern architecture with recent work in the history of science, in particular, on the role of practice in the scientific revolution. As a contribution to architectural history, the volume contextualizes design and construction in terms of contempor

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Proportion and Continuous Variation in Vitruvius’s ,estic architecture. It is in this domain, the subject of Book 6 (Chapters 3 and 4) of the ., that the relationships implied by the term . appear explicitly, in both functional and aesthetic terms and without interference from the question of whether the recommended ratios are affected by the transfo

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The Palazzo del Podestà in Bologna: Precision and Tolerance in a Building ,quarter of the fifteenth century. It shows, in particular, how imperfections in construction and difficult site conditions could hinder the much-desired ideal of geometrical, mathematical, and proportional exactitude that was already well diffused in both the theory and practice of Renaissance archi

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