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Titlebook: Geography and the Political Imaginary in the Novels of Toni Morrison; Herman Beavers Book 2018 The Editor(s) (if applicable) and The Autho

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书目名称Geography and the Political Imaginary in the Novels of Toni Morrison
编辑Herman Beavers
视频video
概述Positions Toni Morrison‘s novels within the timely framework of geocriticism and spatial studies.Covers a wide range of Morrison‘s oeuvre, including Love, A Mercy, and Jazz.Highlights not only the sig
丛书名称Geocriticism and Spatial Literary Studies
图书封面Titlebook: Geography and the Political Imaginary in the Novels of Toni Morrison;  Herman Beavers Book 2018 The Editor(s) (if applicable) and The Autho
描述This book examines Toni Morrison’s fiction as a sustained effort to challenge the dominant narratives produced in the white supremacist political imaginary and conceptualize a more inclusive political imaginary in which black bodies are valued. Herman Beavers closely examines politics of scale and contentious politics in order to discern Morrison‘s larger intent of revealing the deep structure of power relations in blackcommunities that will enable them to fashion counterhegemonic projects. The volume explores how Morrison stages her ruminations on the political imaginary in neighborhoods or small towns;rooms, houses or streets. Beavers argues that these spatial and domestic geographies are sites where the management of traumatic injury is integral to establishing a sense of place, proposing these “tight spaces” as sites where narratives are produced and contested; sites of inscription and erasure, utterance and silence.  
出版日期Book 2018
关键词geography in Toni Morrison‘s novels; place-making in Sula; racialized spaces in Toni Morrison‘s work; t
版次1
doihttps://doi.org/10.1007/978-3-319-65999-2
isbn_softcover978-3-319-88148-5
isbn_ebook978-3-319-65999-2Series ISSN 2578-9694 Series E-ISSN 2634-5188
issn_series 2578-9694
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

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Die Wirkung absatzpolitischer Instrumenteoprietor of Cosey’s Resort and benefactor of Silk’s black population. Even when he is not physically present, Cosey embodies Sula Peace’s observation that black men are “the envy of the world” (104). But reading . requires sustained attention to issues of space and place, especially as they relate t
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https://doi.org/10.1007/978-3-663-05099-5r will never hear her speak in the voice of a grown woman or learn of her decision to “last,” by opting to give . the final word, Morrison proposes that acts of communication issuing from the imagination toward an intended destination always hit their mark. The plea . directs toward her daughter ins
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https://doi.org/10.1007/978-3-319-65999-2geography in Toni Morrison‘s novels; place-making in Sula; racialized spaces in Toni Morrison‘s work; t
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https://doi.org/10.1007/978-3-322-87909-7 up having to contend with dead or absent mothers. I discussed Joe Trace’s effort to retaliate against what he comes to believe is his mother’s malicious act of abandonment. Scanning ., we find only a scant reference to Son’s mother; for him home is the space occupied by “Old Man,” his father, who otherwise lives alone.
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Die Wirkstoffe des Hypophysenvorderlappensouthern male characters. Macon Dead, Guitar Bains, Son Green, and Cholly Breedlove fail to understand the importance of beginning “at zero” and in so doing remain trapped in the assumptions that confine them to the tight space that constricts movement of any sort, physical or conceptual.
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From Zero to Nowhere: Tight Space and the Topophilia of Violence up having to contend with dead or absent mothers. I discussed Joe Trace’s effort to retaliate against what he comes to believe is his mother’s malicious act of abandonment. Scanning ., we find only a scant reference to Son’s mother; for him home is the space occupied by “Old Man,” his father, who otherwise lives alone.
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