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Titlebook: Geofeminism in Irish and Diasporic Culture; Intimate Cartographi Christin M. Mulligan Book 2019 The Editor(s) (if applicable) and The Autho

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,Nuala Ní Dhomhnaill’s Traumatic/Erotic Map: Transubstantiating the Body of Ireland,l atlases of womanhood. The female speakers in Ní Dhomhnaill’s poems find . by engaging with the difficult but fascinating history of women’s marginalization while simultaneously embracing embodiment, locatedness, and vernacular Catholic devotions as a means of surpassing it.
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Coda: The Necessity of Thinking Geologically and Globally on Irish Grounds,alize Ireland as both real place and fantasy island, opening the symbolic field of what Partha Chatterjee has elsewhere called the “people-nation” to new possibilities of ideological and sociocultural actualization within and beyond geographical borders.
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978-3-030-19217-4The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Christin M. MulliganContributes to Irish studies, geocritical theory, feminist and gender studies, and postcolonial literary studies.Highlights the role of place in (post)colonial Irish literature and film.Draws on liter
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,Ist die „Ostpolitik“ Ostpolitik?,nd cross-cultural traditions that reassess impact-, contact-, and borderzones of literature, music, and art in the context of environmental landscape studies. Such a reframing of “geofeminism” allows her to reconsider the role of representational mapping for both men and women artists in Ireland and
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Hans-Joachim Pachur,Norbert Altmann-imperial vision-quest poetry of Jacobite .. The translations of those verses during the Irish Revival by numerous writers, such as J. C. Mangan and P. H. Pearse followed by repeated satirizations of them in regard to the possible failures of transformative sovereign autonomy by Modernists James Joy
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https://doi.org/10.1007/978-3-662-30005-3t’s “Traumatic/Erotic Mapping” Mulligan argues that Ní Dhomhnaill also uses them to consider the positive potentiality of the historically abjected aspects of the feminine erotic. Mulligan demonstrates how geography can thereby both mark scenes of violence and create new spaces outside of traditiona
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Betriebliche Kosten und Leistungen,based and mythically realist tendencies of W. B. Yeats’s .. His poetry and drama conflate the physical topography of Sligo, his “homeplace,” with figures of woman-as-nation to address the horrific, alienating violence of the Great War, the War for Independence, and the Irish Civil War. Yeats’s frequ
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