Titlebook: Genesis and Revision in Modern British and Irish Writers; Jonathan Bloom,Catherine Rovera Book 2020 The Editor(s) (if applicable) and The

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,The Writer’s Hunger: Considering a Novel in Progress,an intertextual response to Hemingway’s ., addressing the roles of reader, writer and character. Overall considers the relationship between Hemingway’s book and her own in terms of allusion and narrative voice, and discusses the layering of multiple narratives within . and across the texts using for

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,To Cut a Long Story Short: The Shaping of Mary Lavin’s , Stories,ypescripts, notes and correspondence with the . magazine. Focusing on Lavin’s . stories, the essay discloses new information critical to an understanding of the crafting of her stories and approach to revisions. In addition, it casts light on the .’s editing procedures and considers how Lavin’s stor

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,‘No Speech at My Command Will Fit the Forms in My Mind’: Shaping the Spiritual Through Writing and andwritten and some typed, although not retained in the later versions of the text, allow for a better understanding of the creative process and show how the material crafting of the manuscript, through collage and combination techniques, played a part in the invention of fantasy. The introduction o

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