Titlebook: Gendered Spaces in Argentine Women‘s Literature; Marta Sierra Book 2012 Palgrave Macmillan, a division of Nature America Inc. 2012 dwellin

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Frenetic

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Charles Dickens Resurrectionistvel and immigration. Cosmopolitan travelers had been frequent in the country since the nineteenth century, but it was during the period from the 1920s until the end of World War II that these visitors had a definite impact on its cultural life. In the 1920s, the “avant-garde” traveler helped local l

Chandelier

https://doi.org/10.1007/978-1-349-19090-4ll remember, for instance, the opening cer-emony of the 1978 World Cup. The clear precision of the choreography, the army of children and adolescents forming the phrases “Argentina 78,” “Mundial FIFA,” and the competition logo, two Argentine flags embracing the ball, left my family and me with a fee

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Studies in Philosophy and Religiond Antarctic regions through art, the biennial focused on some global concerns of the twenty-first century: time and its metaphors, ecology, urban topographies, and virtual or possible worlds. More than one hundred artists from 25 countries gathered in Patagonia and exhibited their works in different

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https://doi.org/10.1007/978-1-349-25309-8outh. The poetic voices of the works of Diana Bellessi, Luisa Futoransky, and María Negroni depict these virtual geographies; they invite the reader, as the opening quote makes evident, to envision a world of endless possibilities. As a series of reflections on place and location, this corpus of poe

Hypomania

patial categories: the notions of home and away, placement and displacement, dwelling and travel, location and dislocation, and the ‘quest for place‘ in women‘s writing from Argentina from 1920 to the present.978-1-349-29896-9978-1-137-12280-3

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