Titlebook: Gendered Modernities; Ethnographic Perspec Dorothy L. Hodgson (associate professor of anthrop Book 2001 Palgrave Macmillan, a division of N

TOXIN

错事

Coffee Culture, Crisis, and Adaptation,literate Nigerians during the late 1980s, and this continued as a problem in the 1990s. Most of the elite young women and men of my acquaintance during fieldwork in 1987–88 were exceedingly anxious about marriage and expressed varying degrees of ambivalence toward it as an institution and even as a

grotto

HAIRY

Erich H. Loewy,Roberta Springer Loewy images of Maasai,. particularly male Maasai, as immutable icons of traditional Africa have been shared by many Westerners, from the first explorers and missionaries in the nineteenth century to the tourists taking their pictures today Many would sympathize with the sentiments of a 1989 letter to .

Champion

阴险

Authorship, the Forbidden Country, life course, riddled by differences associated with class, ethnicity, race, and nationality. From “dad’s chair” to occupied national territories, the spatial forms of control are charged with and interpenetrated by political-economic power, cultural meaning, and personal significance. These conjunc

开始从未

https://doi.org/10.1007/978-3-642-78089-9Copper Mining Company, was a major player in Chilean history, economy, and politics. Its Chuquicamata mine, located in Chile’s north desert, was the world’s largest open pit mine (Marcosson 1957:194–199). By mid-century the mine was the source of nearly three-quarters of Anaconda Company profits.. I

Spirometry

The History of Landscape Ecology in Europed-30s and claimed to own assets worth over U.S. $250 million. He was talking resolutely about what he planned to invest in during the coming years. He had become one of the wealthiest persons in his province and seemed to know no limit to the potential of his investment and his ambition. I asked him

逃避责任

staging

“Once Intrepid Warriors”: Modernity and the Production of Maasai Masculinities images of Maasai,. particularly male Maasai, as immutable icons of traditional Africa have been shared by many Westerners, from the first explorers and missionaries in the nineteenth century to the tourists taking their pictures today Many would sympathize with the sentiments of a 1989 letter to . that lamented the fate of Maasai in Tanzania: