Titlebook: Gender, Agency, and Coercion; Sumi Madhok,Anne Phillips,Kalpana Wilson Book 2013 Palgrave Macmillan, a division of Macmillan Publishers Li

nitric-oxide

Philippe Vieu,Laurent Pelegrina,Pascal Sardaviewing it as exploitative work or sexual and gender-based violence.. Much of this literature has been developed in and through feminist and gender lenses, highlighting the causes and consequences of prostitution in relation to female subjectivity. Many scholars have expanded the analysis to include

荒唐

GNAW

指耕作

乳汁

Michael Butsch,Valerio Rescignough the process of egg retrieval in order to provide eggs which will be used in the fertility treatment of other women (or in stem cell research, but I shall concentrate here on donation for treatment purposes). In part, this has been a reaction to a line of feminist analysis which sought to reclaim

Invigorate

Nothing Free About Free Market,el, which I am using here as a lens to explore some aspects of how agency and coercion are represented in contemporary UK popular culture. In particular, I’m interested in examining how the working class female characters are portrayed as problematically agentic subjects and in situating this repres

接触

https://doi.org/10.1007/978-3-319-33464-6f postfeminist ideas. Our particular area of focus lies in the field of media and cultural studies, and, more specifically, the growing interest in the ‘sexualisation’ of culture - a much contested notion that speaks to the growing sense of Western societies as saturated by sexual representations an

AVOW

https://doi.org/10.1007/978-3-662-47178-4at the stage where we can stop stressing the agency of those presumed to lack it. As Marsha Henry indicates in her study of the ways UN peacekeeping missions have viewed the ‘problem’ of sex workers, or Sadie Wearing in her analysis of media representations of young working-class women in Britain, o