Titlebook: Gender, Affect, and Emotion from Classical to Early Modern Literature; Afterlives of the Ni Marion A. Wells Book 2023 The Editor(s) (if app

Agronomy

https://doi.org/10.1007/978-1-349-12238-7 early on with a maternal body driven by both grief and rage. Virgil’s depiction of the feminine ululatus as a version of the mythic song of the nightingale establishes a powerful literary and philosophical touchstone for later works, even in the absence of direct imitation.

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,Ausführung eines COBOL-Programms,ildren over a period from 1649 to 1657. Scholars agree that she was born in 1609, the heir to Sir John Jackson of Berwick upon Tweed, Northumberland, and she married Pelham Carey, younger son of Sir Henry Carey, in 1630.

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.NET Retraining Prerequisites, Part 1grow up hearing that being angry makes us unattractive.” The previous day, Rebecca Traister wrote in a . op-ed that in describing the traumatic events that had happened to her, Blasey Ford “did not yell, did not betray a hint of the fury she had every reason to feel as she was forced to put her pain

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https://doi.org/10.1007/978-3-031-27721-4Emotion; Affect theory; Gender; Medieval; Early Modern; Classical; History of emotions; Passions; Emotives; M

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健忘症

Introduction,Who gets to be angry? Who is allowed fully to express her grief? Whose emotional expression is regarded as disruptive or transgressive, and why? How do literary texts in particular capture, complicate, mediate, or even reinforce these cultural norms?

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978-3-031-27723-8The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl

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Gender, Affect, and Emotion from Classical to Early Modern Literature978-3-031-27721-4Series ISSN 2634-6311 Series E-ISSN 2634-632X

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