Titlebook: Gender in Japanese Popular Culture; Rethinking Masculini Sirpa Salenius Book‘‘‘‘‘‘‘‘ 2023 The Editor(s) (if applicable) and The Author(s) 2

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Grating

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,“I’ll Create My Own Precedents”: Female , Performers on Tokyo’s , Stages,pearance and modification of stories. This chapter looks at the history of female performers and explores the current state on Tokyo’s . stage also providing a valuable analysis of one of the few Japanese stage arts which allows women to perform on its main stages.

Manifest

and understood in Japanese popular culture.Generates new conThis open-access essay collection brings together a range of viewpoints on gender from a diverse group of international scholars based in Finland, Belgium, Japan, Singapore, and Australia. The focus is, in particular, on gender performativi

Preserve

Book‘‘‘‘‘‘‘‘ 2023e the ways in which gender can be depicted, perceived, and understood in Japanese popular culture. The work will be of interest to scholars working in gender studies, Asian studies, and popular culture. It will also act as a source text for higher education courses in Asia, Europe, and the United States. .

CLAY

Book‘‘‘‘‘‘‘‘ 2023gium, Japan, Singapore, and Australia. The focus is, in particular, on gender performativity and non-binary or non-normative gender. The essays examine the ways in which gender can be depicted, perceived, and understood in Japanese popular culture. The work will be of interest to scholars working in

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https://doi.org/10.1007/978-3-663-13674-3 Japanese society, Nike Japan’s message has become increasingly conservative in tone and ironically less geared to advancing the diversity and inclusion agenda. A comparison with other domestic competitors is made to highlight Nike’s portrayal of female athletes.

Antagonism

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