Titlebook: Gender and the Nuclear Family in Twenty-First-Century Horror; Kimberly Jackson Book 2016 The Editor(s) (if applicable) and The Author(s) 2

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The Editor(s) (if applicable) and The Author(s) 2016

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Therapeutic Information Processinget-Serra’s . (2009), Andrés Muschietti’s . (2013), and Mike Flanagan’s . (2014). It also serves as a bookend for chapter 1 in that it offers alternate mythic formulae through which the feminine might free itself from the fetters of the past and begin to redefine itself The films treated in this chap

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,Gleisabstände bei Schienenbahnen,dentity problematic in a patriarchal society. Peirce’s version downplays the monstrousness of the title character’s destructive power as well as her abject status, ultimately unlinking the former from the latter.

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Special applications of ballistics,line. The first two films, however, suggest in the end that the next generation has seen too much to take on the mantle of the father. Particularly in The Sixth Sense, it is the child’s relationship to the mother that offers the possibility of a future free of the haunting presence of the dethroned