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Titlebook: Gender and Ventriloquism in Victorian and Neo-Victorian Fiction; Passionate Puppets Helen Davies Book 2012 Palgrave Macmillan, a division o

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Business and Consumer Analytics: New Ideast as opposed to the manifestation of supernatural forces (Vox, 1981, p. 47) and we can see that this correlates with the eighteenth century’s increased questioning of and scepticism towards superstition. Ventriloquism became a mainstay of travelling fairs and outdoor markets.
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Business and Environmental Risksever, Mark Wormald’s chapter on Sarah Waters’ neo-Victorian novels comments upon ‘the literary and cultural paradigms of a period Waters knows well enough to ventriloquize and thus to test’ (Wormald, 2006, p. 187). His remark echoes this book’s sustained argument that ventriloquial repetition has th
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Gender and Ventriloquism in Victorian and Neo-Victorian FictionPassionate Puppets
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Gender and Ventriloquism in Victorian and Neo-Victorian Fiction978-1-137-27116-7
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sults on the real-world KITTI dataset. To testify that GMA3D is still beneficial to non-occluded scene flow, we also conducted experiments on non-occluded version datasets and achieved promising performance on FlyThings3D and KITTI. The code is available at ..
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