Titlebook: Gender and Sexuality in Weimar Modernity; Film, Literature, an Richard W. McCormick Book 2001 Richard W. McCormick 2001 culture.film.gender

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,Girls in Crisis: Women’s Perspectives in Late Weimar,And . exactly what .. and .. And went to Munich, where his . back- ground and a daughter ., whose photograph . you still don’t . with the cheerful eyes and the featherduster hair, . . collar and drop-dead elegant . even he might tell me . and had unbelievable connections. And I would toss back at him, perfectly .—. learned that from

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,“New Objectivity”: Ambivalent Accommodations with Modernity, by an Englishman. Although Christopher Isherwood’s observations were of course those of a foreigner who stood apart from what was going on, the lines above capture some significant aspects not only of Weimar culture but also of one of the predominant attitudes with regard to that culture among German intellectuals of the time.

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Judicial Remedies for Contract and Tort Given that the topic of this book is the relationship between gender, sexuality, modernity, and culture, it is a fairly transparent choice. These lyrics express the hope that amidst the constant change brought about by the technical and cultural innovations of the modern age, it is romantic love th

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https://doi.org/10.1007/978-94-017-4358-7y’s first major sound films for its largest film company, “Ufa” (Universum-Film Aktiengesellschaft, or “Uni- verse Film, Inc.”), which Hugenberg owned. The film was ., certainly one of the most famous films associated with Germany’s Weimar Republic (1918–1933). Hugenberg, who had rescued Ufa from ba

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978-0-312-29302-4Richard W. McCormick 2001