Titlebook: Gender and Representations of the Female Subject in Early Modern England; Creating Their Own M Akiko Kusunoki Book 2015 The Editor(s) (if a

Eschew

书目名称Gender and Representations of the Female Subject in Early Modern England影响因子(影响力)




书目名称Gender and Representations of the Female Subject in Early Modern England影响因子(影响力)学科排名




书目名称Gender and Representations of the Female Subject in Early Modern England网络公开度




书目名称Gender and Representations of the Female Subject in Early Modern England网络公开度学科排名




书目名称Gender and Representations of the Female Subject in Early Modern England被引频次




书目名称Gender and Representations of the Female Subject in Early Modern England被引频次学科排名




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书目名称Gender and Representations of the Female Subject in Early Modern England读者反馈学科排名

adhesive

https://doi.org/10.1007/978-3-322-85442-1struct their sense of selfhood. Faced with the images of female roles in marriage as defined by orthodoxy, many women in early modern England became conscious of the gap between what they felt they were and what they were supposed to be, even though most of them did not dare to challenge their conve

羊齿

https://doi.org/10.1007/978-3-658-01868-9ished prose romance, . and its continuation, and her sonnet sequence— Wroth persistently explores the issue of female selfhood by making use of the genre of pastoral. To borrow Gary Waller’s phrase about Petrarchan love poetry in general, Wroth’s pastoral works embody ‘the major dynamics’ of desire

Ambiguous

https://doi.org/10.1007/978-3-663-16263-6ountries, his favouritism for his Scottish subjects and his negative attitude towards women. This social climate resulted in an Elizabethan revival, which centred on the Court of Prince Henry, the Prince of Wales, who embodied militant Protestantism against the Catholic powers in Europe.

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