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Titlebook: Gender and Authority across Disciplines, Space and Time; Adele Bardazzi,Alberica Bazzoni Book 2020 The Editor(s) (if applicable) and The A

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Nancy R. Milloy Ph.D, M.Sc., Dip.CST, MCSTion about sex and desire; as a way to explore or validate sex and desire; and as a means to judge expectations and gain instruction on sex and desire. Taken together, such similarities demonstrate a shared understanding of pornography as a social institution that acts to authorize particular styles of sexual practice and pleasure.
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Marcos C. S. Carreira,Richard J. Brostowiczes of national politics. Showing how these biographies are part of an attempt to use writing as an authoritative entitlement to craft a discourse on Kenyan national history, this chapter emphasizes the persistency of an attempt to exclude women from the political realm so as to reaffirm the authors’ claim and right to authority.
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https://doi.org/10.1057/9781137499578re embodied in the sentiment that the law believed women, at the expense of men. In practice, this meant that in some instances, although women had gained a voice in the divorce court, socially and within marriage, they may remain silent.
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Manufacturing of other wheat productseligious education programs are observed to be important, and in some contexts moderating, components of Islamic propagation. At the same time in both Iran and Turkey such programs remain part of a state propaganda apparatus designed to strengthen the social and political control of religion and religiosity.
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https://doi.org/10.1007/978-3-662-54473-0 novel . (2017). In all works, social consensus authorizes genital ablation where a specific conservative demographic is convinced that fracturing tradition will entail disaster. What emerges as primary author of the custom is fear instilled by deeply held beliefs whose grip may be loosened only by a reframed cultural narrative.
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https://doi.org/10.1007/978-1-349-27726-1le creatives in the plays studied, the issue of authority is twofold. On the one hand, they confront institutional and societal authorities that confine them to rigid gendered and racial categories. On the other, the black female artist in these plays also transcends those restrictive categories to impose her own artistic authority.
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