Titlebook: Gender Inequality in Screenwriting Work; Natalie Wreyford Book 2018 The Editor(s) (if applicable) and The Author(s) 2018 women.film.creati

鸣叫

978-3-030-07089-2The Editor(s) (if applicable) and The Author(s) 2018

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jettison

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脊椎动物

行乞

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The Impact of Motherhood on Screenwriters,sly discussed requisites of those doing screenwriting labour preclude caring responsibilities. All women—whether they even want or can have children—are penalized by maternal assumption. This chapter illustrates the ways motherhood is naturalized by film workers as women’s desire and women’s work, i

臭名昭著

condescend

Gendering Taste,ts to men. Despite copious evidence to the contrary, these myths are upheld in the talk of film workers, without much recourse to what women are . and . to write. Drawing on Pierre Bourdieu’s work on taste, this chapter dismantles this entrenched view of women’s screenwriting. After demonstrating th

生来

Conclusion: Moving Beyond Numbers to Make Change Happen,is so unshakably ingrained in screenwriting work in the UK. It makes arguments for how to make real change a possibility. It moves the conversation forward, from ‘where are all the women?’ to how can women have the value of their stories recognized? From what . must do, to how can film work be more