书目名称 | Galileo and the ‘Invention’ of Opera | 副标题 | A Study in the Pheno | 编辑 | Fred Kersten | 视频video | | 丛书名称 | Contributions to Phenomenology | 图书封面 |  | 描述 | Intended for scholars in the fields of philosophy, history ofscience and music, this book examines the legacy of the historicalcoincidence of the emergence of science and opera in the early modernperiod. But instead of regarding them as finished products orexamining their genesis, or `common ground‘, or `parallel‘ ideas,opera and science are explored by a phenomenology of the formulationsof consciousness (Gurwitsch) as compossible tasks to be accomplishedin common (Schutz) which share an ideal possibility or `essence‘(Husserl). Although the ideas of Galileo and Monteverdi form theparameters of the domain of phenomenological clarification, the scopeof discussion extends from Classical ideas of science and music downto the beginning of the nineteenth century, but always with referenceto the experience of sharing the sociality of a common world fromwhich they are drawn (Plessner) and to which those ideas have givenshape, meaning and even substance. At the same time, this approachprovides a non-historicist alternative to understanding the arts andscience of the modern period by critically clarifying the idea ofwhether their compossibility can rest on any other formulation ofconsciousne | 出版日期 | Book 1997 | 关键词 | Aron Gurwitsch; Edmund Husserl; phenomenology; philosophy; time | 版次 | 1 | doi | https://doi.org/10.1007/978-94-015-8931-4 | isbn_softcover | 978-90-481-4847-9 | isbn_ebook | 978-94-015-8931-4Series ISSN 0923-9545 Series E-ISSN 2215-1915 | issn_series | 0923-9545 | copyright | Springer Science+Business Media Dordrecht 1997 |
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