Titlebook: Gadamer, Music, and Philosophical Hermeneutics; Sam McAuliffe Book 2024 The Editor(s) (if applicable) and The Author(s), under exclusive l

Tidious

ORBIT

The Experience of Music in the Digital Age: From Auditory , to Episodic Insignificance and BackWhile music was formally listened to in “earthier” formats, whether that be through live concerts or huddled around vinyl record players, we now live in a digital age in which music is largely experienced through what we can refer to as more “liquidated” formats, such as music streaming services or

泥沼

Re-sounding: Towards an Ontological Hermeneutics of Being-Musically work, the concept of ., which translates a connotative field in English encompassing senses of fulfillment, execution, enacting and performance. For Gadamer, a work of art is continually open to reinterpretation through its ongoing performances and receptions (Gadamer, Epoché J Hist Philos 26(1):25

flimsy

CLAMP

Knowledge-Aided Localization Detectors,of the twentieth century. It has found and continues to find relevance in fields such as feminist theory, ethics, art and literature, ancient and modern history, architecture, and philosophy of science (Malpas and Gander 2015; Keane and Lawn 2016). Significantly, hermeneutics offers something of a b

蚀刻术

K. Schreiter,S. Müller,R. Luckner,D. Manzeyork concept and the practices of repeatable concert production lead to an increased reification of the musical work and a focus on technical production. While many recent philosophers are trying to understand what sort of object the musical work is, notably Goehr and Benson have proposed differing a

Medicare

E. R. van Oort,Q. P. Chu,J. A. Mulder suggest that the practice of improvised music offers a direction back to a collective experience that previously was the domain of ritual. This experience, which I will convey via parallels between Gadamer’s work and the anthropology of Victor Turner, coloured with descriptions by practicing improv

LOPE

Mingu Kim,Yongwoo Lee,Seokwon Lee,Youdan Kimto human knowledge and understanding. In this paper, I consider the role that religion (defined in a broad sense) played in helping human beings develop a common sense of understanding. Specifically, I examine some instances of religion in the form of song and dance—forms of religion that appear to

揉杂

peak-flow