| 书目名称 | Film, Form and Phantasy | | 副标题 | Adrian Stokes and Fi | | 编辑 | Michael O’Pray | | 视频video | | | 丛书名称 | Language, Discourse, Society | | 图书封面 |  | | 描述 | This book explores the ideas of the neglected English aesthetician and art historian, Adrian Stokes. Stokes‘s Kleinian-based concepts of carving and modelling are analysed in relation to film, arguing that they replace the traditional notions of realism and montage in film theory and provide a set of aesthetics which encompasses mainstream and ‘art‘ cinema. This Kleinian psychoanalytic approach is offered to the films of Eisenstein, Rossellini, Hitchcock and others. | | 出版日期 | Book 2004 | | 关键词 | aesthetics; Alfred Hitchcock; Analyse; cinema; film; Interpretation; John Ford; realism; Tradition | | 版次 | 1 | | doi | https://doi.org/10.1057/9780230535770 | | isbn_ebook | 978-0-230-53577-0Series ISSN 2947-0188 Series E-ISSN 2947-0196 | | issn_series | 2947-0188 | | copyright | Palgrave Macmillan, a division of Macmillan Publishers Limited 2004 |
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书目名称Film, Form and Phantasy影响因子(影响力)学科排名
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书目名称Film, Form and Phantasy网络公开度学科排名
书目名称Film, Form and Phantasy被引频次
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发表于 2025-3-21 18:19:49
