Titlebook: Etudes on the Philosophy of Music; Juozas Rimas,Juozas Rimas Jr. Book‘‘‘‘‘‘‘‘ 2024 The Editor(s) (if applicable) and The Author(s) 2024 20

ambivalence

https://doi.org/10.1007/978-981-19-6706-1he notes; the grouping of the notes; .; “articulational silence”; the uneven nature of playing. The parallelism between music and speech (., .). Semantic articulation (N. Harnoncourt). Articulation and dynamics in Baroque music (mini-dynamics, which occurs within structural units, e.g., motifs). Dot

存心

Duodenitis

暖昧关系

Itinerant

https://doi.org/10.1007/978-3-540-71986-1rpretation which indicates a hidden meaning. The text is aggressive because it declares what is written in it, and powerless, because everyone can do with it as they please (T. Sodeika). The work is only a promise, since what unfolds within it “does not yet exist” (A. Maceina). The work issues a cha

蚊帐

adhesive

Figate

Model-Based Reliability Systems Engineeringpenness to cultural experience and a need to pursue the meaningfulness of expression. Creative action is the return of experiences to the world (A. Šliogeris; Plato). Creative activity and creative attitude (E. Fromm). Creativity and self-expression; creative and possessive impulses (B. Russell). Th

CAPE

https://doi.org/10.1007/978-94-6091-618-2raft nor art, but rather a mode of knowing (M. Heidegger). The depth of the instrumental as the depth of not-yet-knowing-of-how-to-use and irrationality (A. Šliogeris). Simulation occurs when the energy of the meaning of being is lacking (J. Baudrillard), for example, when the performer pretends to

把手

Juozas Rimas,Juozas Rimas Jr.Offers the perspective of a world-renowned performing musician.Discusses works by many Eastern European music critics & philosophers that have not yet been translated to English.Contains links to the