| 书目名称 | Economy of Identities in Traditional Chinese Theatre |
| 编辑 | Ágota Révész |
| 视频video | http://file.papertrans.cn/321/320463/320463.mp4 |
| 概述 | Explores traditional Chinese theatre in contemporary Chinese society.Discusses social-political expectations from Chinese theatre makers.Provides access for international readers to the economy of ide |
| 图书封面 |  |
| 描述 | .The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. .xiqu.) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this “relationality” works might also shed light on the functioning of other fields in the current socio-cultural complex of China. . |
| 出版日期 | Book 2024 |
| 关键词 | Chinese theatre; Chinese opera; Beijing opera; Chinese cultural identity; Nation-building; Narratives in |
| 版次 | 1 |
| doi | https://doi.org/10.1007/978-981-97-7463-0 |
| isbn_softcover | 978-981-97-7465-4 |
| isbn_ebook | 978-981-97-7463-0 |
| copyright | The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor |