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Titlebook: Economy of Identities in Traditional Chinese Theatre; Ágota Révész Book 2024 The Editor(s) (if applicable) and The Author(s), under exclus

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发表于 2025-3-21 19:32:33 | 显示全部楼层 |阅读模式
书目名称Economy of Identities in Traditional Chinese Theatre
编辑Ágota Révész
视频video
概述Explores traditional Chinese theatre in contemporary Chinese society.Discusses social-political expectations from Chinese theatre makers.Provides access for international readers to the economy of ide
图书封面Titlebook: Economy of Identities in Traditional Chinese Theatre;  Ágota Révész Book 2024 The Editor(s) (if applicable) and The Author(s), under exclus
描述.The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. .xiqu.) embedded in contemporary Chinese society? What identities are created through theatre? And, most importantly: how are these identities related to one another to form a complex “economy of identities”? An insight is offered into the traditional Chinese theatre system composed of over three hundred theatre types vying for recognition in a complex relational network. Understanding how this “relationality” works might also shed light on the functioning of other fields in the current socio-cultural complex of China. .
出版日期Book 2024
关键词Chinese theatre; Chinese opera; Beijing opera; Chinese cultural identity; Nation-building; Narratives in
版次1
doihttps://doi.org/10.1007/978-981-97-7463-0
isbn_softcover978-981-97-7465-4
isbn_ebook978-981-97-7463-0
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Singapor
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and Cultural Identity, difference?—identification of a community through music—authorship in .s—migration of .s—case study: how to prepare a new . type—the interdependence of .s and their communities—identity struggles through .s.
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Mobility Dynamics,hin the province and on the national level—the genre of “select scenes”—performing in/for the centre—.s and domestic soft power—the tasks of the centre—case study: report performances and their evaluations—tourist .—“operatization”—unity-in-diversity.
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vides access for international readers to the economy of ide.The book is intended to become a useful reference for theatre people who need “China knowledge”. Its central questions are: how is traditional Chinese theatre (“Chinese opera”, i.e. .xiqu.) embedded in contemporary Chinese society? What id
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Technikakzeptanz in der Arbeitswelt, difference?—identification of a community through music—authorship in .s—migration of .s—case study: how to prepare a new . type—the interdependence of .s and their communities—identity struggles through .s.
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,Natur — ein Thema für die Psychologie?,hin the province and on the national level—the genre of “select scenes”—performing in/for the centre—.s and domestic soft power—the tasks of the centre—case study: report performances and their evaluations—tourist .—“operatization”—unity-in-diversity.
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