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Titlebook: Exploring Indian Modernities; Ideas and Practices Leïla Choukroune,Parul Bhandari Book 2018 Springer Nature Singapore Pte Ltd. 2018 Indian

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The Battle for Cantorian Set Theory,’. It draws upon crisscrossing tales of cooking and cuisine from Bengal and other parts of India and Britain between the late nineteenth and twenty first centuries to underscore hybridization and innovation as constant, enduring, and intrinsic components not just of food and cooking but also of huma
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https://doi.org/10.1007/978-3-319-25238-4ion. These signs of religious difference emanate from distinctive slaughter practices—referred to as . and .—and carry over to the arena of consumption. I attempt to show that . and . constitute the outlying symbols and practices of religious traditions which run alongside the secular modernity of t
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https://doi.org/10.1007/978-981-10-0703-3ite to analyse the crisis-ridden process of the making of the modern subject. The chapter explores how literary and filmic forms of excess produce narrative and cinematic worlds that disturb the foundational architecture of the reproductive family and contained models of masculinity and femininity.
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Difference (and Differential) Equations,ne cannot understand the nature of modernity and its political and cultural acceptances without glancing at the past. Many common points are observable in the quest of modernity of India and China, one of the most important being the daily presence of the past through various practices: reading of t
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Mathematics for Life Science and Medicine School. It suggests that the conventional academic tropes of understanding these pictures—power and emasculation on one side, and empowering nativism on the other—may not give adequate insight. In fact, the Santals, as mediated through colonial art, were given far more agency and strength than gene
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978-981-13-3966-0Springer Nature Singapore Pte Ltd. 2018
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