Titlebook: Everyday Representations of War in Late Modernity; Nerijus Milerius,Agnė Narušytė,Lukas Brašiškis Book 2022 The Editor(s) (if applicable)

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The Architecture of Lingering War in Everyday Life: Photography and the Double Time of Military Applitary action. Yet the speed and the surprise built into the core of such events means that war is mostly documented .. Instead of picturing dramatic action, most photographs show how effectively time deletes the damage of war, how quickly the drama disperses in everyday life. The temporal parallax

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The Erasure of War Crimes and their Visualisation in Post-Soviet Eastern European Cinema,hem facing the screen at the front of the hall. The faces of the spectators are completely invisible, but the image on the screen showing the corpses stacked in rows is very visible indeed. The second photograph shows the same hall photographed from the front. The screen is not visible, but the face

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,In Between Hauntology and Representation: Spectres of War in Sergei Loznitsa’s , and Deimantas Narktheorists and philosophers within the framework of studies of modernity and the everyday life (cf. Orr 1993; Charney and Schwartz eds. 1995; Doane 2002; Pomerance 2006). In her book ., Mary Ann Doane observes that in the nineteenth century questions about time, memory and subjectivity were relocated

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