Titlebook: Everyday Representations of War in Late Modernity; Nerijus Milerius,Agnė Narušytė,Lukas Brašiškis Book 2022 The Editor(s) (if applicable)

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Exposition

Thymus

Definitive

Vision Machine and Modern Warfare: Visualising Invisible Powers of Images in Harun Farocki and Hitoge is a ‘visual bite, vulnerable to virtually infinite remediation’ (Joselit 2013: XIV–XV). Unlike analogue images, digital images are therefore versatile and malleable. Their material qualities are readily reproducible—digital images can be resized, stretched, copied and pasted to operate beyond th

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2946-3335 representations are analysed by developing theories of war as a ‘magic spectacle’, also by using such concepts as spectres, triumph and trauma, collective social catastrophes, forensic architecture and others..978-3-031-07137-9978-3-031-07135-5Series ISSN 2946-3335 Series E-ISSN 2946-3343

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美食家

William R. Dubin M.D.,Robert Stolberg M.D.n rituals taking place every half-year. But in the 1980s, such ideological signs became the focus of ‘rogue’ art photographers and cinematographers. Their ironic and reflective images worked as dislocating counter-memorials against the stale reconstructions of the past.

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P. Agarwal,L. Romano,H. Prosch,G. Schuellery and the expansion of capitalism, but it also provided by means of its ability to reproduce the photographic images a new means to reconsider the past in the present. That is, early cinema allowed the modern imagination to speak to its own time.

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