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Titlebook: Evanescence and Form; An Introduction to J Charles Shirō Inouye Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 cultur

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发表于 2025-3-21 17:46:45 | 显示全部楼层 |阅读模式
书目名称Evanescence and Form
副标题An Introduction to J
编辑Charles Shirō Inouye
视频video
图书封面Titlebook: Evanescence and Form; An Introduction to J Charles Shirō Inouye Book 2008 Palgrave Macmillan, a division of Nature America Inc. 2008 cultur
描述This book explores the Japanese notion of hakanasa - the evanescence of all things. Responses to this idea have been various and even contradictory: asceticism, fatalism, conformism, hedonism, materialism, and careerism. This book examines the ties between an epistemology of constant change and Japan‘s formal emphasis on etiquette and visuality.
出版日期Book 2008
关键词culture; identity; nature
版次1
doihttps://doi.org/10.1057/9780230615489
isbn_softcover978-1-4039-6706-0
isbn_ebook978-0-230-61548-9
copyrightPalgrave Macmillan, a division of Nature America Inc. 2008
The information of publication is updating

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https://doi.org/10.1057/9781403983671sidents gather to enjoy Independence Day fireworks as they explode above the Charles River. In the fall, it is the maples that flare red and yellow and orange. In winter come the cold snows and the deep magenta sunsets. In spring, the profusion of budding leaves and flowering woods.
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The 1995 Presidential Election Campaigns,o fill in the ideological vacuum left by unconditional surrender. For all these reasons, the final decades of the Shōwa emperor’s reign (until 1989) might be considered a neo-Genroku, a time of ebullience and turmoil that matched the age of Saikaku, Bashō, and Chikamatsu in cultural dynamism, economic development, and social change.
发表于 2025-3-22 10:46:29 | 显示全部楼层
Return to Evanescence: Contemporary Japan (1970 to the Present),o fill in the ideological vacuum left by unconditional surrender. For all these reasons, the final decades of the Shōwa emperor’s reign (until 1989) might be considered a neo-Genroku, a time of ebullience and turmoil that matched the age of Saikaku, Bashō, and Chikamatsu in cultural dynamism, economic development, and social change.
发表于 2025-3-22 14:27:25 | 显示全部楼层
,Change under the Transcendental Order: Late Modern Japan (1868–1970), itself felt, wide-reaching educational institutions had developed, and, importantly, various forms of mass media had been deployed, thus giving impetus to the establishment of mass society. A second, more general reason to avoid conflating modern and Western is that the process of absorbing foreign
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The Order of Here-and-Now: Ancient, Medieval, and Early Modern Japan (to 1868),mbridge and Somerville in the foreground, the urban skyline in the distance, and the Atlantic Ocean far beyond. To the south and west are the hills of Belmont and Arlington, and the neighborhoods of Waltham and Newton. From this spot, I have watched the seasons come and go. In the summer, Medford re
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,Change under the Transcendental Order: Late Modern Japan (1868–1970),ntry in the wake of the Meiji Restoration (1868). The era thought of itself as a time of reform (.) and of “civilization and enlightenment” (.). Importantly, both of these values were seen as inspired by the Western examples. Yet, as profound as these influences were, Japan did not simply and comple
发表于 2025-3-23 09:32:44 | 显示全部楼层
Return to Evanescence: Contemporary Japan (1970 to the Present),omic animals”—was by anyone’s measure a remarkable era. It was a time of economic growth and environmental degradation. It was a period of expanded civil rights, yet also a time when many came to feel oppressed by social conventions and found themselves cut off from or indifferent to the political p
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