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Titlebook: Eurovision and Australia; Interdisciplinary Pe Chris Hay,Jessica Carniel Book 2019 The Editor(s) (if applicable) and The Author(s), under e

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书目名称Eurovision and Australia
副标题Interdisciplinary Pe
编辑Chris Hay,Jessica Carniel
视频video
概述This is the first collection of interdisciplinary scholarship on Australia and Eurovision from predominantly Australian scholars.Presents a timely intervention into questions of Australian national id
图书封面Titlebook: Eurovision and Australia; Interdisciplinary Pe Chris Hay,Jessica Carniel Book 2019 The Editor(s) (if applicable) and The Author(s), under e
描述.This book investigates Australia’s relationship with the Eurovision Song Contest over time and place, from its first screening on SBS in 1983 to Australia‘s inaugural national selection in 2019. Beginning with an overview of Australia’s Eurovision history, the contributions explore the contest’s role in Australian political participation and international relations; its significance for Australia’s diverse communities, including migrants and the LGBTQIA+ community; racialised and gendered representations of Australianness; changing ideas of liveness in watching the event; and a reflection on teaching Australia’s first undergraduate course dedicated to the Eurovision Song Contest. The collection brings together a group of scholar-fans from a variety of interdisciplinary perspectives — including history, politics, cultural studies, performance studies, and musicology — to explore Australia’s transition from observer to participant in the first thirty-six years of its love affair with the Eurovision Song Contest. .
出版日期Book 2019
关键词Eurovision; Music; Migration; Eurovision Song Contest; Music performance; Australian music
版次1
doihttps://doi.org/10.1007/978-3-030-20058-9
isbn_softcover978-3-030-20060-2
isbn_ebook978-3-030-20058-9
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Indigenous Representation at the Eurovision Song Contest: A Quintessentially Australian Identitynance of Indigenous performers, Jessica Mauboy and Isaiah Firebrace, among Australia’s first representatives. The choice of performers by Australia’s multicultural broadcaster, Special Broadcasting Service (SBS), can be perceived as an attempt to present Australia as a modern, multicultural, and pos
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Australia and Eurovision: The View From Europeble to be, and yet, on the surface, the country appears to have been embraced by the so-called Eurovision Family—but was this really the case, and what does that say about notions of a European identity? Media outlets which previously carried stories about eastern European countries dominating the c
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