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Titlebook: European Film and Television Co-production; Policy and Practice Julia Hammett-Jamart,Petar Mitric,Eva Novrup Redva Book 2018 The Editor(s)

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发表于 2025-3-21 19:51:35 | 显示全部楼层 |阅读模式
书目名称European Film and Television Co-production
副标题Policy and Practice
编辑Julia Hammett-Jamart,Petar Mitric,Eva Novrup Redva
视频video
概述Combines policy, industry and scholarly voices in the one volume.Offers up-to-date knowledge on co-production, which is an increasingly common and significant practice.Includes case studies and interv
丛书名称Palgrave European Film and Media Studies
图书封面Titlebook: European Film and Television Co-production; Policy and Practice Julia Hammett-Jamart,Petar Mitric,Eva Novrup Redva Book 2018 The Editor(s)
描述This volume offers an up-to-date analysis of film and television co-production in Europe. It brings together the voices of policy professionals, industry practitioners and media industry scholars to trace the contours of a complex practice that is of increasing significance in the global media landscape. Analysis of the latest production statistics sits alongside interviews with producers and the critical evaluation of public film policies.  The volume incorporates contributions from representatives of major public institutions—Eurimages, the European Audiovisual Observatory and the European Commission—and private production companies including the pan-European Zentropa Group. Policy issues are elucidated through case studies including the Oscar-winning feature film .Ida., the BAFTA-winning .I am not a Witch. and the Danish television serial .Ride Upon the Storm.. Scholarly articles span co-development, co-distribution and regional cinemas as well as emerging policychallenges such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production th
出版日期Book 2018
关键词Europe; European Audiovisual Observatory; Zentropa; co-development; distribution; regional cinemas; digita
版次1
doihttps://doi.org/10.1007/978-3-319-97157-5
isbn_softcover978-3-319-97156-8
isbn_ebook978-3-319-97157-5Series ISSN 2634-615X Series E-ISSN 2634-6168
issn_series 2634-615X
copyrightThe Editor(s) (if applicable) and The Author(s) 2018
The information of publication is updating

书目名称European Film and Television Co-production影响因子(影响力)




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2634-615X such as the digital single market. The combination of qualitative and quantitative approaches, and the juxtaposition of industry and scholarly voices, provides a unique perspective on European co-production th978-3-319-97156-8978-3-319-97157-5Series ISSN 2634-615X Series E-ISSN 2634-6168
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European Co-productions in a Digital Single Market: EUtopia or Dystopia?down national silos online and facilitate cross-border access to digital content. The Commission’s vision runs counter to the way that co-productions are financed in Europe, and the film industry therefore warns that a DSM will rip up their entire business model. This chapter examines the arguments
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The Emergence of Pan-European Film Studios and Its Implications for Co-production Studies and Policyecoming vertically and horizontally integrated while also simultaneously expanding into international sales and distribution markets. Such changes fundamentally alter the landscape of the continent’s media industries, which have up to now been characterized by national and linguistic fragmentation a
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International Co-production of Nordic Television Drama: The Case of e broadcasters have traditionally ventured into television drama in the Nordic languages. In the mid 2010s, this started changing, partly because of the international outreach and sales of serials such as . (2007–2012) and . (2010–2013). This development incited new players to move into the televisi
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