Titlebook: European Cinema in the Twenty-First Century; Discourses, Directio Ingrid Lewis,Laura Canning Textbook 2020 The Editor(s) (if applicable) an

Confess

内阁

Technology, Decentralisation and the Periphery of European Filmmaking: Greece and Scandinavia in Focng or pushing of boundaries of the form, and the shift towards less-standardised processes of film production. It maps the European film landscape and discusses decentralisation in the Northern European context, then goes on to consider Greece as a particular example within the European periphery, n

诱拐

啮齿动物

On the Eve of the Journey: The New European Road Movie theme of travel not as release of energies but as tension—between places, identities, discourses and psychological states. They do so by focusing on the eve of the journey, rather than on the journey itself. The three films that Rascaroli explores are . (André Téchiné 2001), . (Julie Bertuccelli 20

committed

German Film Comedy in the ‘Berlin Republic’: Wildly Successful and a Lot Funnier than You Thinkaches. Twark discusses several major German comedy trends, interpreting the directors’ depiction of contemporary social problems and German history in their films. Many recent German comedies portray the effects of German reunification and the socialist East German past with .. Others parody Adolf H

自爱

On the Ambiguous Charm of Film Noir: , and the New Type of Womant national identities and cultural contexts. The chapter first explores the genre debate around film noir, insisting on the importance of pragmatic aspects and dynamic variations. Drawing on film, psychoanalytic and feminist theories, Gutiérrez-Martínez and Pedro then examine noir and neo-noir in re

BET

Textbook 2020r includes key definitions, reflective group questions, and a summative case study. Overall, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.  .      .

辞职

cringe

l, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.  .      .978-3-030-33435-2978-3-030-33436-9

galley