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Titlebook: European Cinema in the Twenty-First Century; Discourses, Directio Ingrid Lewis,Laura Canning Textbook 2020 The Editor(s) (if applicable) an

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书目名称European Cinema in the Twenty-First Century
副标题Discourses, Directio
编辑Ingrid Lewis,Laura Canning
视频video
概述Provides important insights into multiple key features unifying contemporary European cinema.Builds upon existing studies on European Cinema, while acknowledging patterns and trends of recent film pro
图书封面Titlebook: European Cinema in the Twenty-First Century; Discourses, Directio Ingrid Lewis,Laura Canning Textbook 2020 The Editor(s) (if applicable) an
描述.This book rethinks the study of European Cinema in a way that centres on students and their needs, in a comprehensive volume introducing undergraduates to the main discourses, directions and genres of twenty-first-century European film. Importantly, this collection is the first of its kind to apply a transversal approach to European Cinema, bringing together the East and the West, while providing a broad picture of key trends, aesthetics, genres, national identities, and transnational concerns. Lewis and Canning’s collection effectively addresses some of the most pressing questions in contemporary European film, such as ecology, migration, industry, identity, disability, memory, auteurship, genre, small cinemas, and the national and international frameworks which underpin them. Combining accessible original research with a thorough grounding in recent histories and contexts, each chapter includes key definitions, reflective group questions, and a summative case study. Overall, thisbook makes a strong contribution to our understanding of recent European Cinema, making it an invaluable resource for lecturers and students across a variety of film-centred modules.  .      .
出版日期Textbook 2020
关键词European Cinema; Aesthetics; Hollywood; Transnational; Contemporary Cinema; National Identity
版次1
doihttps://doi.org/10.1007/978-3-030-33436-9
isbn_softcover978-3-030-33435-2
isbn_ebook978-3-030-33436-9
copyrightThe Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerl
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Kritik der Transformationsforschung,ee European films, which have, as their theme, the life of a physically disabled character: . (Alejandro Amenábar 2004), . (Julian Schnabel 2007) and . (Olivier Nakache and Éric Toledano 2011). The discourse of disability in these films follows a trajectory, which is examined in relation to Paul Dar
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Der Künstler als Anatom der Wirbelsäuleficant hallmark of ‘national cinema’, often acting as a means to demonstrate the ‘natural’ constitution of national narratives. Kääpä outlines the diverse ways in which the environment has been appropriated for these purposes, as well as the means through which these appropriations have been present
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Die Wirklichkeit der virtuellen Weltenever Globan argue that Oliveira’s longevity and prolific career allowed him to carry into the twenty-first century a set of female representations which can be considered highly problematic in the context of contemporary society. By focusing on . (2006), . (2009) and . (2010), the chapter explains h
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https://doi.org/10.1007/978-3-322-90685-4the 21st Century’ list. The analysis of this particular film is contextualized in the overall history of Romanian national cinema and showcases its relevance in international film culture. The overall purpose of Pop’s chapter is to identify the aesthetic, narrative and cinematographic attributes tha
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