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Titlebook: European Cinema; An Introduction Jill Forbes,Sarah Street Textbook 2000Latest edition The Editor(s) (if applicable) and The Author(s) 2000

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Zusammenfassung der Ergebnisse in Thesenced by the inhabitants of this divided city, of their seemingly infinite delight and disbelief, provoked unprecedented sympathy worldwide for a people long respected for the economic success and political stability of the two states in which recent history had determined that they should live, but f
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Die Welt als Bühne mit doppeltem Bodenlms ever made outside Hollywood ($49 million). While Eisenstein had a hand-painted red flag in his film, emphasising the triumphant spirit of the Revolution and turning its success forward in time, Mikhalkov turned time backwards by having the red stars, symbol of Soviet power, removed from the Krem
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Economics and Politicsion-dollar business. In the early years, cinema was dominated by buccaneering capitalists like Charles Pathé; today it is an integral part of a global electronics industry which is likely to expand massively in the twenty-first century, with feature films making up a ‘significant element’ alongside
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