Titlebook: Ethnic Modernism and the Making of US Literary Multiculturalism; Leif Sorensen Book 2016 The Editor(s) (if applicable) and The Author(s) 2

生命层

discord

Book 2016le careers of four ethnic fiction writers of the 1930s (Younghill Kang, D‘Arcy McNickle, Zora Neale Hurston, and Américo Paredes) Sorensen presents a new view of the history of multicultural literature in the U.S. The first part of the book situates these authors within the modernist era to provide

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buoyant

ULCER

4 Impossible Authorshipses of modernity. This critique not only exposes the constraints of the world of the novel but also calls into question the mode of literary history that would later recover it. The aesthetic failures of the corrido and the bildungsroman are directly linked to the failure of the protagonist to become a unified subject.

Eructation

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8 The Challenge of Nonrecovery is not a vision of Kang as an unfairly deposed ancestor who finally receives his just due. Instead Sorensen recovers Kang as an uncannily absent figure, one that reminds scholars of the incompleteness of our knowledge of the periods, areas, and writing that we study.

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