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Titlebook: Ethics and Affects in the Fiction of Alice Munro; Amelia DeFalco,Lorraine York Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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,“Chunks of Language Caught in Her Throat”: The Problem of Other(ed) Minds in Alice Munro’s Stories to violence. Munro dramatizes psychological dynamics that precipitate the rejection and exclusion of people with cognitive differences, identifying how these inhibit empathic identification. In several stories, composed at different points in her career, she draws on animal analogies that convey ab
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Alice Munro and the Shame of Murder, the other in its precariousness and defenselessness, is for me at once the temptation to kill, and the call to peace.” Judith Butler observed that if the face of the other “at once tempts me with murder and prohibits me from acting upon it, then the face operates to produce a struggle for me, and e
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,Gravel and Grief: Alice Munro’s Vulnerable Landscapes,andscape as a milieu rather than as a set of pictorial or poetic conventions that aestheticize space. Munro’s landscapes are not meant to be viewed, but rather to be experienced. They originate in the singular coincidence of a voice with the environment, but also in the interactions that bind human
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