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Titlebook: Ethics and Affects in the Fiction of Alice Munro; Amelia DeFalco,Lorraine York Book 2018 The Editor(s) (if applicable) and The Author(s) 2

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Netzmanagement (III) — Die Betriebslenkungjection, a parallel to the problematic comparison of animals and severely cognitively disabled people used by some moral philosophers. Other works, including ., feature female protagonists who project sexual vulnerability, shame, and humiliation onto their disabled peers and refuse to acknowledge a shared susceptibility to gendered violence.
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https://doi.org/10.1007/978-3-662-42040-9stablishes this struggle at the heart of ethics.” This chapter addresses the nature of that struggle in Munro’s work and considers how the ethical injunction against murder can lose its hold in the encounter with the vulnerability and precariousness of others.
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,Über den hyperalgetischen Zustand,lives to the place they inhabit, no matter how precariously. Fully participating in the stories’ ambiguous epiphanies, Munro’s landscapes hold exacting lessons for characters and readers alike as they decipher the traces of an intimate geography.
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https://doi.org/10.1007/978-3-658-08381-6s Derrida’s account of life as survival. Engaging with the distinct significance of this survival for women, Munro’s late fiction revisits the figure of the self-sacrificing mother and the woman who refuses to play a sacrificial role and helps us to describe the gendered contours of a posthumanist ontology.
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,Embodied Shame and the Resilient Ethics of Representation in Alice Munro’s “The Bear Came Over the analysis are: Can the surfacing of shame to consciousness turn it from a negative affect into a potential agent for the positive transformation of an ethical self? Does Munro’s exploration of shame shed light on the limits of comprehending alterity and the Other-within-the-self, as well as on the ethics of fiction?
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,Alice Munro’s Dramatic Fictions: Challenging (Dis)Ability by Playing with , and Embracing the Queerd its many imperfect copies—concerns expressed with particular clarity in Sophocles’s .. By staging the subversion of the cycle of Oedipal violence, Munro’s texts offer insight into the revivifying, idiosyncratic, and embodied origins of creativity that always remain tethered to shame, failure, imperfection, and death.
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,“Chunks of Language Caught in Her Throat”: The Problem of Other(ed) Minds in Alice Munro’s Stories jection, a parallel to the problematic comparison of animals and severely cognitively disabled people used by some moral philosophers. Other works, including ., feature female protagonists who project sexual vulnerability, shame, and humiliation onto their disabled peers and refuse to acknowledge a shared susceptibility to gendered violence.
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,Gravel and Grief: Alice Munro’s Vulnerable Landscapes,lives to the place they inhabit, no matter how precariously. Fully participating in the stories’ ambiguous epiphanies, Munro’s landscapes hold exacting lessons for characters and readers alike as they decipher the traces of an intimate geography.
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