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Titlebook: Eros and Poetry at the Courts of Mary Queen of Scots and James VI; Sarah M. Dunnigan Book 2002 Sarah M. Dunnigan 2002 artefact.body.corpus

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Catholic Colonization of the American Rightld be claimed of the increasingly unpopular sovereign Mary became a political imperative. Authorial attribution possessed the power to stain the queen sexually, morally and, according to the anxious responses of Ronsard and Pierre de Brantôme (. 1540–1614), aesthetically.. Freedom from . would have
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Cammie Jo Bolin,Ted G. Jelen,Clyde Wilcox religiously, spiritually and carnally. As if to pre-empt charges of imprecision about the erotic material assembled in his generically encyclopaedic ., George Bannatyne (1545–1606), the Edinburgh burgess conventionally identified as the manuscript’s chief compiler and scribe, creates these four . o
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The Second Great Plague in Britainot apostrophise or imagine the king, but stage their own dramas of erotic desecration and redemption. Desire is frequently ensnared by mortality in Montgomerie’s love poetry; love, fortune and death unite to form a trinity of adversaries. While mortal love is not the explicit subject of Montgomerie’
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Feminine Eros: Mary Queen of Scots and the Emergence of Desireld be claimed of the increasingly unpopular sovereign Mary became a political imperative. Authorial attribution possessed the power to stain the queen sexually, morally and, according to the anxious responses of Ronsard and Pierre de Brantôme (. 1540–1614), aesthetically.. Freedom from . would have
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Demonic and Angelic Women: The Erotics of Renunciation and Mariology in the Bannatyne Manuscript religiously, spiritually and carnally. As if to pre-empt charges of imprecision about the erotic material assembled in his generically encyclopaedic ., George Bannatyne (1545–1606), the Edinburgh burgess conventionally identified as the manuscript’s chief compiler and scribe, creates these four . o
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