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Titlebook: Erinnerung reloaded?; (Re-)Inszenierungen Gabriele von Glasenapp,Andre Kagelmann,Ingrid Tomk Book 2021 Der/die Herausgeber bzw. der/die Au

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楼主: 债务人
发表于 2025-3-23 11:53:21 | 显示全部楼层
Celebrities erinnern an sich selbstnternational phenomenon within a theoretical framework of celebrity studies and research on the (intermedial) representation of memory. These literary texts for young people by celebrities disclose children’s literature as a literary form that is particularly suited for the transmission of cultural
发表于 2025-3-23 14:24:34 | 显示全部楼层
„Invented for the Purposes of the Narrative“dren’s media. The stories the movies tell and the images they offer will have an impact on how people remember these authors and their work. The main question is not whether these films are in accordance with the assumed real biographies. Instead, the focus is on the popular patterns and narrative s
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发表于 2025-3-24 01:34:53 | 显示全部楼层
Visualisierung und Ästhetisierung von Kindheit(en) im geteilten Deutschlandr was published. By comparing life in the West and East Germany – each represented respectively on the left and right picturebook pages – the authors Franziska Gehm and Horst Klein created a double portrait of growing up in a divided Germany in the 1980s. This article discusses how this . [wordless
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发表于 2025-3-24 09:08:35 | 显示全部楼层
https://doi.org/10.1057/9781137298997 material; how they update and parody it. In addition, it focusses on how adult material may be received from a child’s perspective and on the question of how intertextual references anchor canonical works in cultural memory.
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发表于 2025-3-24 18:02:41 | 显示全部楼层
Multi-Type Branching Processes,picturebook] of memory represents life on each side of and beyond the Berlin Wall. The focus is placed on the childlike aesthetics of this picturebook, considering not least the role of the comic, in particular irony. Therefore the different addressees (children without own memories and adults with own memories) have to be reflected.
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