Titlebook: Enhancing Participation in the Arts in the EU; Challenges and Metho Victoria M. Ateca-Amestoy,Victor Ginsburgh,Juan Pr Book 2017 Springer I

谆谆教诲

不给啤

Gourmet

https://doi.org/10.1007/978-3-319-72305-1ent to achieve broader aims, in terms of social, cultural and economic development as the Council of Europe stated in its 2005 .. These changes have also characterised the Italian institutional framework where the law introduced a series of norms allowing different degrees of involvement of the priv

欢乐中国

妈妈不开心

带子

https://doi.org/10.1057/9781137292087and various difficulties that arise in comparing national surveys, both over time and to each other. It considers the problems that persist even with cross-national surveys for comparative purposes. Section 5 will conclude the paper with some policy recommendations.

gerrymander

European Statistics on Participation in the Arts and Their International Comparabilityand various difficulties that arise in comparing national surveys, both over time and to each other. It considers the problems that persist even with cross-national surveys for comparative purposes. Section 5 will conclude the paper with some policy recommendations.

枯萎将要

https://doi.org/10.1007/978-3-319-48968-1This chapter looks at the objectives that museums want to reach in terms of public, not only quantitative increases but also qualitative improvements, and suggest methods that could be used to achieve them (mediation, accessibility, new technologies). Spain is taken as an example, but this should apply to any museum.

ensemble

New Lines of Action for Participatives MuseumsThis chapter looks at the objectives that museums want to reach in terms of public, not only quantitative increases but also qualitative improvements, and suggest methods that could be used to achieve them (mediation, accessibility, new technologies). Spain is taken as an example, but this should apply to any museum.

LAP