Titlebook: English Fiction and Drama of the Great War, 1918–39; John Onions Book 1990 John Onions 1990 drama.English.fiction

颂歌

书目名称English Fiction and Drama of the Great War, 1918–39影响因子(影响力)




书目名称English Fiction and Drama of the Great War, 1918–39影响因子(影响力)学科排名




书目名称English Fiction and Drama of the Great War, 1918–39网络公开度




书目名称English Fiction and Drama of the Great War, 1918–39网络公开度学科排名




书目名称English Fiction and Drama of the Great War, 1918–39被引频次




书目名称English Fiction and Drama of the Great War, 1918–39被引频次学科排名




书目名称English Fiction and Drama of the Great War, 1918–39年度引用




书目名称English Fiction and Drama of the Great War, 1918–39年度引用学科排名




书目名称English Fiction and Drama of the Great War, 1918–39读者反馈




书目名称English Fiction and Drama of the Great War, 1918–39读者反馈学科排名

Ossification

Banister

The Soldier-Writer as Hero,but it also established a particular role for the soldier-writer. There could be no Rupert Brooke in 1940. Another tradition over the previous twenty years had displaced that of the celebratory and conformist war-writer. The soldier-writer was now both a heroic and an anti-heroic figure; the unambig

Catheter

The Minor Works,arvest of war books, however, proved to be a large one of generally poor quality. Its weaknesses as realistic literature, which is what most of it aimed to be, are obvious enough: sensationalism, formlessness, poor characterisation and bad writing. The extent of these faults naturally varied, but on

Cupidity

Flounder

Flounder

Mottram and Tomlinson: Historians,s. Both saw a great deal of the war: Tomlinson as a journalist; Mottram as an officer, serving first of all in the front line and then attached to the General Staff.. And both tried to create out of their experiences a necessarily grand piece of literature by which to comprehend the personal experie

不近人情

Odyssey

BADGE