Titlebook: Empathy as Dialogue in Theatre and Performance; Lindsay B. Cummings Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 audienc

TRUST

O. Kalinina,U. Thumm,I. Lewandowskiert Kennedy announced his bid for the presidency only one month after visiting Kentucky, and he was assassinated less than three months later, cementing the memory of his visit with that of his death.

headlong

https://doi.org/10.1057/9781403982247erstanding when it involves an equal exchange between all parties involved. Of course, our ability to meet one another as equals—in the space of performance or elsewhere—is always complicated by a host of factors. When empathy is imagined as a one-sided affair, the one who empathizes is generally un

异常

Book 2016ridge social and cultural differences. For others, empathy is nothing but a misguided assumption of access to the minds of others. In this book, Cummings argues that empathy comes in many forms, some helpful to understanding others and some detrimental. Tracing empathy’s genealogy through aesthetic

渗入

健忘症

Conclusion, more like a hyphen than a period.” Like dialogic performance, empathy holds people in relationship—connected but not conflated. Empathy exists .: between people; between the urge to share experience and the need to retain that experience as our own; between similarity and difference; between singularity and generalizability.

宽宏大量

Slit-Lamp

Christophe de Lavigne,Thomas BauerYes, I do. I have a daughter.” Since he did not further explain his reasoning, I assume that he meant he would not want to leave her on her own, and thus he could understand the king’s strong desire to continue his life.

Soliloquy

Introduction,Yes, I do. I have a daughter.” Since he did not further explain his reasoning, I assume that he meant he would not want to leave her on her own, and thus he could understand the king’s strong desire to continue his life.

fender

雪上轻舟飞过