Titlebook: Empathy as Dialogue in Theatre and Performance; Lindsay B. Cummings Book 2016 The Editor(s) (if applicable) and The Author(s) 2016 audienc

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Empathic Economies: Performance by Refugees and Asylum Seekers,perience other ways of being in the world. I advocated, further, for a recognition of theatrical labor that often goes unmarked. If, as Erin Hurley argues, “‘feeling-labour’… is the most important aspect of theatre’s cultural work,” then it is vital to acknowledge who performs that labor, under what

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Rehearsals: Naomi Wallace and the Labor of Empathy,

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y identify with them. This book therefore explores how empathy is most effective when it functions as a dialogue, along with how theatre and performance can utilise the live, emergent exchange between bodies in space to encourage more dynamic, dialogic encounters between performers and audience. .978-1-349-95518-3978-1-137-59326-9

Legend

Xiangbin Pan,Ziyad M. Hijazi,Horst Sieverty to know the very thing that we have come to the theatre to learn—what it was like for the soldiers on the ground. In the process, we are prompted to consider why we want to know these things and what it feels like to be on the receiving end of our empathetic curiosity.