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Titlebook: Emily Brontë; Lyn Pykett Textbook 1989Latest edition Lyn Pykett 1989 Bronte.death.design.gender.genre.history.poem.poetry.understanding.wo

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发表于 2025-3-21 19:59:11 | 显示全部楼层 |阅读模式
书目名称Emily Brontë
编辑Lyn Pykett
视频video
丛书名称Women Writers
图书封面Titlebook: Emily Brontë;  Lyn Pykett Textbook 1989Latest edition Lyn Pykett 1989 Bronte.death.design.gender.genre.history.poem.poetry.understanding.wo
描述A study of the writer Emily Bronte dealing with her life and work, this text forms part of a series which is designed to help in the reassessment of women‘s writing in the light of today‘s understanding.
出版日期Textbook 1989Latest edition
关键词Bronte; death; design; gender; genre; history; poem; poetry; understanding; women; writing; British and Irish L
版次1
doihttps://doi.org/10.1007/978-1-349-20401-4
copyrightLyn Pykett 1989
The information of publication is updating

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The Writings of Ellis Bell,e was, so too her work resists definition and categorisation. Nevertheless, in this chapter I shall attempt to suggest some recurring themes and preoccupations in Brontë’s writings, and to explore the relationship of her work to contemporary writing by both men and women.
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Death Dreams and Prison Songs, poem in the Gondal Notebook, ‘There shines the moon at noon of night’ (H 9, 33) introduces many of her recurring concerns. Like so many of Emily Brontë’s poems these lines have a night-time setting; the darkness of the night and the isolation of the setting mirrors the isolation of the speaker (A.G
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Changing the Names: the Two Catherines, rebellion, recording and speaking out against the domestic tyranny of Hindley and the religious tyranny of Joseph. It is also quite literally a marginal text, scrawled in the margins and on the fly-sheets of her well-used library. The childish scribblings arouse in Lockwood an ‘immediate interest f
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Nelly Dean: Memoirs of a Survivor, voice of the enclosed, inner, and retrospective narrative. Many recent critics. have noted that this narratorial division of labour replicates that of the culture in which the novel was produced. Like nineteenth-century society, the narrative voices of . are divided into ‘separate spheres’. The out
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https://doi.org/10.1007/978-3-030-17816-1e was, so too her work resists definition and categorisation. Nevertheless, in this chapter I shall attempt to suggest some recurring themes and preoccupations in Brontë’s writings, and to explore the relationship of her work to contemporary writing by both men and women.
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