Titlebook: Emerging Technologies and the Digital Transformation of Museums and Heritage Sites; First International Maria Shehade,Theopisti Stylianou-

Hemiplegia

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Alain Schmitt,Klaus Atzwanger,Katrin Schäfers. These humans are captured in 3D in ancient costumes and re-enacting relevant tasks. Care is taken to ensure that the lighting during the real capture and the lighting in the virtual environment match. The results of this approach are demonstrated for a number of ancient industries in a reconstruction of medieval Coventry.

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W. Seeger,D. Walmrath,F. Grimmingerification for the use of digital technologies in examining dark heritage sites, and sets out a workflow for how 3D reconstructions can be created from limited and fragmentary sources. The paper concludes by suggesting future areas for further study to determine the usefulness of digital tools in the field of dark and contested heritage.

庄严

Realistic Humans in Virtual Cultural Heritages. These humans are captured in 3D in ancient costumes and re-enacting relevant tasks. Care is taken to ensure that the lighting during the real capture and the lighting in the virtual environment match. The results of this approach are demonstrated for a number of ancient industries in a reconstruction of medieval Coventry.

floodgate

Carbon-Monoxide

Computational Archives for Experimental Museologydigital archives; from working with an object orientation and containment – to computing with a dimension orientation, segmentation, analytics and visualization. Computational museology allows us to conceive new trajectories that link all forms of cultural materiality: objects, knowledge systems, re

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Machine Learning and Museum Collections: A Data Conundrumdigital, museums are moving towards making their collections available online to the public. However, just providing a searchable interface to the entirety of the collection could be a barrier to successful engagement. Tremendous craftsmanship is put into creating interesting and informative in-pers

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沉积物

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Mapping Sonic Practices in Museum Exhibitions – An Overviewbetween sound and museums, and then focuses on the integration of sound into the exhibition space. It is noted that, although the functional aspects related to the use of sound in museum exhibitions have been scrutinised, the exploration of sound as an interpretive medium is rather overlooked. To fi